Summary: History Of Jazz Midterm Review
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1 History of Jazz Midterm Review
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Original Dixieland Jazz Band (song/s)
Dixie Jazz Band One Step- clarinet, trombone, drums, trumpet
- prominent clarinet part
- woodblock counter rhythms
- Begin in unison, then start soloing
- moderately fast, jazz, march, N.O.P.E.
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Bessie Smith (song/s)
Lost Your Head Blues- Piano, trumpet, voice
- Slow Blues
- AAB
- Trumpet answers after Bessie Sings
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Jelly Roll Morton (song/s)
Maple Leaf Rag- solo piano
- more improvisation, takes liberties with original rhythms
- quick, jazz
- trumpet, clarinet and trombone, piano, banjo, double bass and drum kit
- New Orleans Jazz
- collective improvisation and solo sections
- solo piano
- rag
- stride bass
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King Oliver (song/s)
Dippermouth Blues- twelve-bar blues harmonic progression, with frequent bent notes and slides into notes.
- quick jazz-influenced by blues
- castanets, drums, clarinet, trumpet (armstrong), trombone, piano, (voice)
- Plunger mute solo by Armstrong
- twelve-bar blues harmonic progression, with frequent bent notes and slides into notes.
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Sidney Bechet (song/s)
Blue Horizon- clarinet solo (vibrato heavy) and small band
- slow blues
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James P. Johnson (song/s)
Carolina Shout- solo piano
- jazz/ragtime
- stride piano
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Beiderbecke (song/s)
Singing the Blues- swung
- prominent clarinet
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Fletcher Henderson (song/s)
Stampede
Wrappin it up -
Fats Waller (song/s)
I Ain't Got Nobody -
Meade Lux Lewis (song/s)
Honky Tonk Train
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