The Art Itself - Representation
3 important questions on The Art Itself - Representation
Can you explain the theory of Walter Benjamin, member of the Frankfurt School, about the "aura" of original art?
- Way of distinguishing orignal works from mechanical reproductions (photography).
- Original works have an "aura;" the unique quality of the work and the awe it inspires when we look at it up close.
- Aura related to 3 concepts:
- Physical location (museum/church).
- Materiality (how it ages over time).
- Provenance (ownership history).
- Photographs or films, mechanical reproductions, do not have an aura because it is lacking at least one element.
- Its unique existence at the place where it happens to be.
Newer sociologists appose Walter Benjamin's ideas about aura and claim that aura's can migrate. Can you elaborate?
- As times and techniques change, so does aura.
- Film can be an aura now as well (director's cut).
- Copies can make the original even more valuable.
Can you explain how Bourdieu's ideas about the field connects to the different types of aesthetics?
- Each field has its own ideologies and by that also a different way of looking/appreciating art.
- Two types of aesthetic:
- Pure aesthetic: l'art pour l'art --> appreciates art by its form.
- Not interested in the degree of realism, the traditions/institutions that ordered it nor what message they wanted to send.
- Popular aesthetic: appreciates arts for the emotions it evokes, favours realism, relatability, entertainment.
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